Twelve ways to put light in the ceiling plane instead of on it. We bend the profiles, print the membrane, and install the finished surface ourselves.
Most integrated lighting arrives as a product. A tile, a panel, a module in a fixed size, and the ceiling gets drawn around it. We work the other way around. The lit surface is fabricated for the room. Any outline, curved or flat, ceiling or wall, up to the seam limits of the membrane. Our aluminum profiles are bent on our own CNC in Dania Beach, so the shape on the reflected ceiling plan is the shape that gets built. There is no module grid to design around and no standard size to compromise to.
That changes what a ceiling can do. One surface can be printed and backlit at the same time. It can be acoustic and lit at once, using micro perforated CLIPSO fabric where the perforation is invisible from the floor. A single plane can carry a recessed light line, a perimeter cove, a star field and a tunable white field, in one finish, from one drawing set, installed by one crew. The twelve systems below are how we categorize the work. Most real projects combine two or three of them. If you want to see it before you commit, we build a physical mockup first.
The membrane is cut for the room and the aluminum is bent on our own CNC in Dania Beach. Any outline, curved or flat, ceiling or wall, up to the seam limits of the membrane. No module grid to design around, and no standard size to compromise to.
A single plane can be printed and backlit at once, or acoustic and lit at once. The same plane can carry a recessed light line, a perimeter cove, a star field and a tunable white field, in one finish and from one drawing set.
We draw it, bend it, print it and install it. Ten years on the membrane and three years on the LED and electrical, from the people who built it. And we will build a physical mockup of your actual detail before anyone signs.
The whole plane is the fixture.
The entire ceiling plane becomes the light source. Even, glare free, no visible fixture.
View system
Printed graphics on translucent membrane, lit from behind. Sky, artwork, wood, branding.
The same build turned vertical. Feature walls, reception faces, headboards, retail backdrops.
Reveals, edges and the floating ceiling.
Light lines set flush into the ceiling plane. Three widths: Mini, Midi and Maxi profiles.
A continuous halo at the perimeter with no visible source. The ceiling reads as floating.
Geometry we cut and bend, not a catalog size.
A lit form in any outline. Circles, ovals, letters, logos, freehand curves, bent in our shop.
Waves, vaults, cones and multi level forms that glow, built on LuxForm profiles AP-212 and AP-213.
Points of light in a dark ceiling. Twinkle, slow color shift, mapped constellations.
Lighting plus acoustics, plus control, plus reflection.
Micro perforated CLIPSO fabric that lets sound pass and still lights. The perforation is invisible from the floor.
One ceiling, 2700K to 6500K, on a schedule you set. Warm early, cool midday, warm again at night.
RGBW with a dedicated white channel, so it still reads as a real white ceiling when the color is off.
A mirror finish that doubles the room and everything lit in it. Coves and light lines read twice.
The unlit systems the twelve above are built on. Same membrane, same profiles, same crew.
Gloss, matte and satin PVC in one clean plane. The base every lit system is built on.
Micro perforated membrane and CLIPSO fabric over an absorber layer, in the same track as everything else.
The same acoustic build turned vertical and clipped into a wall track.
AP-212 and AP-213 sculptural profiles for curved, stepped and multi level ceilings.
CLIPSO knit polyester clipped in cold and dry, seamless up to 16 ft 8 in.
Two 2D drawings are in production for this page. Ask us and we will send the current working versions.
Two test reports we hold and can hand over now. The surface burning data is reported per finish and the laboratory assigned no classification, and we repeat that qualification everywhere the numbers appear.
42.0% diffused for the translucent membrane, 70.5% for the transparent one. Measured at Poznan University of Technology, method per CIE 130-1998. Use the 42% figure for backlit work. The transparent membrane does not hide the diodes. This is a test report, not a certificate, and it covers total transmission only.
White specimens. Gloss FSI 5 / SDI 300. Matte FSI 10 / SDI 300. Satin FSI 15 / SDI 250 (flame spread / smoke developed). The laboratory assigned no classification. The specimens were membrane only, not mounted as a finished ceiling assembly and not mounted per ASTM E2573. Not permitted in return air plenums on the data we hold. If the space above the membrane is a return air plenum, tell us early and we will design the cavity around it.
Both reports sit in the lighting section of our downloads library, next to the profile drawings for AP-301, AP-302, AP-305, AP-306, AP-307, AP-212, AP-213 and AP-216 and the AP-213 Revit family. Going through the library means you get the current revision instead of a file somebody saved last year, and we see what your project needed. If your submittal calls for something that is not in there, ask and we will tell you the same day whether we hold it.
Named precisely, so you can check it against your specification section now instead of finding out at submittal.
We will tell you which of these twelve applies, what it needs above the plane, and what we can document. If you want to see it before you commit, we will build a physical mockup of your actual detail in Dania Beach.
Share a few details and our team will follow up within one business day.
